It is! And also we’re old. But honestly this is still unironically the best thing. The legacy of the Matrix. Falling back in love with the Wachowskis. Addressing the sequels.
The Matrix as cyberpunk. Comparing against other touchstones. Philip K Dick. William Gibson’s review from the time.
When I began to write NEUROMANCER, there was no “cyberpunk”. THE MATRIX is arguably the ultimate “cyberpunk” artifact. Or will be, if the sequels don’t blow. I hope they don’t, and somehow have a hunch they won’t, but I’m glad I’m not the one who has to worry about it.
-William Gibson, lol
Damn kids and their pixels. CRT displays and low/high persistence phosphorus and how we wound up irl with the bright glowing green text aesthetic that informed The Matrix. Eye fatigue back in the day. Computer-touchers. Staring at people at work for fun and profit. The Solarized color schemes.
Taking the red pill. How easy it actually really is to explain what The Matrix is. Neo is a giant, slimy baby. The inefficiencies of using humans as batteries when you have fusion power. Grass, tastes bad.
But WHAT IF The Matrix actually has humanity’s best interests in mind? The possibility that they really tried to give us our utopia.
Plasticity and your brain’s willingness to accept new input schemes. Designing The Matrix with a “failsafe” so the humans are unadapted to their physical bodies irl. Acquired synaesthesia. Supernumerary limbs and phallic cartwheels. Upside down goggles and adaptation to a new “up.” Permanence in sensory adaptations.
Bendable physics. The difficulty with bending or breaking the rules of computing hardware.